Willem de Kooning: A Way of Living
Category: Books,Arts & Photography,History & Criticism
Willem de Kooning: A Way of Living Details
Review "Books on artists tend to focus primarily either on their work or on their lives. Rarely does a publication come along that engages fully with both. Judith Zilczer's beautifully written book makes clear the way in which de Kooning's life cannot be separated from his work - his life and his art profoundly illuminate one another. If you truly want to appreciate the innovative accomplishments of de Kooning, this book is essential."—Kerry Brougher, Interim Director and Chief Curator, Hirshhorn Museum and Sculpture Garden"[Zilczer's] achievement in A Way of Living is to connect, aesthetically and biographically, every phase of his protean production, united by what she sees as a romantic imperative: de Kooning's mantra that 'painting — any kind of painting, any style of painting — to be painting at all, in fact — is a way of living, a style of living'... Her empathetic, generous account, which wears its learning lightly but demonstrates incisive thought, becomes first port of call for an overview of this most alluring, influential, still controversial artist."—Financial Times UK"The traditional monograph seems an endangered species these days; one that gets everything right is rare enough to qualify as an art publishing event. A Way of Living: The Art of Willem de Kooning is an evenhanded, authoritative, and critically informed account of the great painter's achievement."—Bookforum"Judith Zilczer's thorough book highlights how de Kooning even helped define what modern art is: in 1951, he called for art as a way of life that reflected experience... The book, which reminds us of his breadth - from his early figurative work to later linear, more minimal compositions-also demonstrates that by the time he died, in 1997 at the age of 92, de Kooning had both captured the public imagination and left an important stamp on art history."—Newsweek Read more From the Back Cover Willem de Kooning (b.1904), one of the great pioneers of Abstract Expressionism, is a towering figure in the history of twentieth-century painting - and widely regarded as America's greatest living painter. The extraordinary Hirshhorn Museum collection of his work - the largest and most significant public collection of his art in the world - comprehensively represents all aspects of his art from the late 1930s to the mid-1980s. Patron Joseph H. Hirshhorn and his wife, Olga, forged a special friendship with de Kooning, helping to fund his studio, purchasing his paintings, drawings, and sculpture, and corresponding with him for more than a decade. Hirshhorn acquired such emblematic de Kooning paintings as Woman, 1948, from the artist's famed pictures depicting women, and Zurich, 1947, from the daring group of black-and-white works that established his reputation as a leading Abstract Expressionist. Hirshhorn also acquired such pivotal works from the 1950s as Two Woman in the Country, in which de Kooning merged themes of figure and landscape, as well as the first and most ferocious of his paintings on door panels, Woman Sag Harbor, from the 1960s. Rounding out the collection are bronzes from the early 1970s and lyrical abstractions from the 1980s. In addition, Hirshhorn's prescient collection of de Kooning's pastel, ink, and charcoal drawings allows us to see the artist's creative process from early ideas to finished paintings. Author Judith Zilczer explores the evolution of de Kooning's work from his academic training in his native Rotterdam and his experience in New York in the 1930s through to his development both of intensely expressionist style in evocative abstractions and disturbingfigurative works from the 1940s and 1950s. She traces these courses in de Kooning's oeuvre to a number of influences, focusing particularly on his creative response to the urban and cosmopolitan environment of New York City, where he lived from 1926 to 1963 and where he formed friendships with such artists as Arshile Gorky, Franz Kline, and John Graham. Zilczer explores de Kooning's inventive combination of sources from high art and popular culture, for the first time placing his violent imagery within the tradition of caricature in Western art. By contrast, Lynne Cooke outlines de Kooning's later work, made after he moved to rural Long island in the early 1960s, and established his art within the pastoral tradition of painting, as well as within the social context of America in the 1960s. She views his art of these years as analogous to the approaches to art taken by many of the Old Master painters, who achieved "old-age" styles late in life. A pioneering essay on the technical qualities of de Kooning's work, reporting on results of infrared examination and other conservation analyses, by Zilczer and Susan Lake reveals the extent to which de Kooning's spontaneous-looking imagery was in fact carefully crafted. The book is completed with an extensive bibliography, chronology, and catalog section, making this the most substantial publication of de Kooning's work to date. Read more See all Editorial Reviews
Reviews
This large well documented book on the work of de Kooning is most important for anyone's collection. The illustrations of the various work, the documented information, all of this makes for a most impressive addition to one's art book collection.
